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![Harmony, its theory and practice . Bb: ii* If V IThe rule given in the text is not really broken here. Every bar in music con-tains an accented and an unaccented part; Harmony, its theory and practice . Bb: ii* If V IThe rule given in the text is not really broken here. Every bar in music con-tains an accented and an unaccented part;](https://c8.alamy.com/comp/2AWT0K4/harmony-its-theory-and-practice-bb-ii-if-v-ithe-rule-given-in-the-text-is-not-really-broken-here-every-bar-in-music-con-tains-an-accented-and-an-unaccented-part-in-duple-time-each-part-is-of-equallength-in-triple-time-the-accented-part-is-double-the-length-of-theunaccented-j-j-!-second-beat-therefore-is-part-of-theaccented-beat-though-less-strongly-accented-than-the-first-chap-vi-inversions-of-triads-71-its-former-note-or-to-the-next-note-above-or-below-ega-good-good-lt-good-d-notj-ex-123-f-ifj-v-ic-iv-c-iv-in-other-cases-it-is-not-g-2AWT0K4.jpg)
Harmony, its theory and practice . Bb: ii* If V IThe rule given in the text is not really broken here. Every bar in music con-tains an accented and an unaccented part;
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